中国古代艺术 Ancient Chinese Arts

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元代 - 倪瓚 - 江亭山色圖 Ni Zan (1301-1374), Yuan Dynasty Inspiration, China, Art, Chinese Scroll, Chinese Landscape, Chinese Landscape Painting, Chinese Painting, Chinese Art, Chinese Calligraphy
元代 - 倪瓚 - 江亭山色圖 Ni Zan (1301-1374), Yuan Dynasty
Shitao (石濤, ca. 1642-1707), born Zhu Ruoji (朱若極) was a Chinese artist of the late Ming and early Qing Dynasty. Chinese Artwork, Chinese Artists, Eastern Art
Shitao's Landscape Painting | Chinese Art Gallery
Shitao (石濤, ca. 1642-1707), born Zhu Ruoji (朱若極) was a Chinese artist of the late Ming and early Qing Dynasty.
Sui Yangdi, Emperor of Sui, Thirteen Emperors Scroll, Sui Dynasty, 581-618 AD. Luoyang, Emperor, Yangzhou, Beijing, Chinese Emperor, Ancient Chinese, Tang Dynasty Art, Chinese Culture
Sui Yangdi, Emperor of Sui, Thirteen Emperors Scroll, Sui Dynasty, 581-618 AD.
Ma Yuan- in a pavillon under the three friends of winter China Art, Traditional Japanese Art, Japan Art
Ma Yuan Paintings | Chinese Art Gallery
Ma Yuan- in a pavillon under the three friends of winter
Wall scroll painted by Ma Lin on or before 1246. Ink and color on silk, 226.6x110.3 cm. National Palace Museum, Taiwan Chongqing, Graffiti, Landscape Paintings, Street Art, Urban Art, Urban, Wind
Chinese painting - Wikipedia
Wall scroll painted by Ma Lin on or before 1246. Ink and color on silk, 226.6x110.3 cm. National Palace Museum, Taiwan
CHINESE FAMILLE ROSE AND COPPER RED PEAR-FORM VASE, Qianlong period. With floral decoration - 15 1/2 in. high. Antique Glass, Chinese Ceramics, Antique Vase, Chinese Pottery, Asian Decor, Oriental Decor, Turning Japanese, Qing Dynasty, Vintage Vases
Chinese Famille Rose And Copper Red Pear Form Vase
CHINESE FAMILLE ROSE AND COPPER RED PEAR-FORM VASE, Qianlong period. With floral decoration - 15 1/2 in. high.
Bian Shoumin (边寿民) , 清 边寿民 晴沙集影图 北京故宫藏 Illustrators, Bird, Museums, Ink, Birds Painting, Birds, Watercolour
Bian Shoumin (边寿民) , 清 边寿民 晴沙集影图 北京故宫藏
The Fifth Karmapa, Dezhin Shegpa (1384-1415) Eastern Tibet, circa 18th century Paintings Mineral pigments and gold on cotton cloth Image: 31 1/16 x 17 1/16 in. (78.8 x 43.2 cm) Gift of Christian Humann (M.71.98.2) Buddha, Tibetan Buddhism, Buddhism, Mandalas, Fan, Tibetan Art, Deities
The Fifth Karmapa, Dezhin Shegpa (1384-1415)
The Fifth Karmapa, Dezhin Shegpa (1384-1415) Eastern Tibet, circa 18th century Paintings Mineral pigments and gold on cotton cloth Image: 31 1/16 x 17 1/16 in. (78.8 x 43.2 cm) Gift of Christian Humann (M.71.98.2)
Li Cheng: Wintry Forest, Level Distance Gustav Klimt, Japanese Landscape, Tree Art
Li Cheng: Wintry Forest, Level Distance | Chinese Painting
Li Cheng: Wintry Forest, Level Distance
"Facing the Moon" ~ Ma Yuan Traditional Paintings
Ma Yuan Paintings | Chinese Art Gallery
"Facing the Moon" ~ Ma Yuan
Tang Yin (1470–1524) is one of the most notable painters in Chinese art history. He is one of the "Four Masters of Ming Dynasty” (Ming Si Jia) 唐寅,明代著名畫家、文學家。字伯虎,以字行;號六如居士、桃花庵主等,南直隸蘇州吳縣人。吳中四才子之一。在畫史上又與沈周、文徵明、仇英合稱「明四家」。 Tales
Tang Yin Paintings | Chinese Art Gallery
Tang Yin (1470–1524) is one of the most notable painters in Chinese art history. He is one of the "Four Masters of Ming Dynasty” (Ming Si Jia) 唐寅,明代著名畫家、文學家。字伯虎,以字行;號六如居士、桃花庵主等,南直隸蘇州吳縣人。吳中四才子之一。在畫史上又與沈周、文徵明、仇英合稱「明四家」。
Ma Yuan: Watching the Moon under the Pine Oriental, Hoa, Asian Landscape, Landscape Art, Encre De Chine
Ma Yuan Paintings | Chinese Art Gallery
Ma Yuan: Watching the Moon under the Pine
明-唐寅-秋风纨扇图-上海 by China Online Museum - Chinese Art Galleries, via Flickr Suzhou, Ming Dynasty, Chinese Art Traditional, Chinese
Ming Dynasty (1368 - 1644)
明-唐寅-秋风纨扇图-上海 by China Online Museum - Chinese Art Galleries, via Flickr
Leaves a–d painted by Chen Hongshou (Chinese, 1599–1652) and Leaves e–k painted by Chen Zi (Chinese, 1634–1711). Zahua: Figures, flowers, and landscapes, one leaf dated 1627. Late Ming dynasty (1368–1644)–early Qing (1644–1911) dynasty. China. The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Wan-go H. C. Weng, 1999 (1999.521a–k) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015 AsianArt100 Japanese Drawings
leaves a–d by Chen Hongshou | Figures, flowers, and landscapes | China | Ming (1368–1644) and Qing (1644–1911) dynasties | The Metropolitan Museum of Art
Leaves a–d painted by Chen Hongshou (Chinese, 1599–1652) and Leaves e–k painted by Chen Zi (Chinese, 1634–1711). Zahua: Figures, flowers, and landscapes, one leaf dated 1627. Late Ming dynasty (1368–1644)–early Qing (1644–1911) dynasty. China. The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Wan-go H. C. Weng, 1999 (1999.521a–k) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015 AsianArt100
Tang Yin's Landscape | Chinese Painting | China Online Museum Samurai, Japanese Ink Painting
Tang Yin's Landscape | Chinese Painting
Tang Yin's Landscape | Chinese Painting | China Online Museum
明代 - 唐寅 - 仕女圖 Tang Yin (Chinese: 唐寅; 1470–1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher, and poet of the Ming Dynasty. Asian Antiques
唐寅 仕女设计图__绘画书法_文化艺术_设计图库_昵图网nipic.com
明代 - 唐寅 - 仕女圖 Tang Yin (Chinese: 唐寅; 1470–1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher, and poet of the Ming Dynasty.
清代 - 鄭燮 -《竹石圖》 Zheng Xie (1693–1765), commonly known as Zheng Banqiao (鄭板橋) was a Chinese painter from Jiangsu. Qing dynasty Japanese Artists, Chinese Ink
郑燮《竹石图》 图片1()书画作品www.3zitie.cn
清代 - 鄭燮 -《竹石圖》 Zheng Xie (1693–1765), commonly known as Zheng Banqiao (鄭板橋) was a Chinese painter from Jiangsu. Qing dynasty
明 唐寅 牡丹仕女图 上海博物馆 Painted by Tang Yin (唐寅, 1470-1523) Painting & Drawing
明 唐寅 牡丹仕女图 上海博物馆
明 唐寅 牡丹仕女图 上海博物馆 Painted by Tang Yin (唐寅, 1470-1523)
Tang Yin(1470-1523) . 醉舞狂歌图 唐寅 Croquis
chinapage.com
Tang Yin(1470-1523) . 醉舞狂歌图 唐寅
ao Gu Presenting a Verse. Tang Yin 唐寅 1470-1523. Silk Hanging scroll, Ming dynasty China. Taoist
B-sides
ao Gu Presenting a Verse. Tang Yin 唐寅 1470-1523. Silk Hanging scroll, Ming dynasty China.
明代 - 唐寅 - 仕女 (立軸, 設色绢本) Tang Yin (Chinese: 唐寅; 1470–1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher, and poet of the Ming Dynasty. Portrait, Chinese Antiques, Chinese Drawings, Chinese Prints
404-卓克艺术网
明代 - 唐寅 - 仕女 (立軸, 設色绢本) Tang Yin (Chinese: 唐寅; 1470–1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher, and poet of the Ming Dynasty.
Tang Yin Painting . Japanese Prints, Japan Painting
chinapage.com
Tang Yin Painting .
Chinese Ming Dynasty Empress Xiaoduan by the imperial painter. Portraits, Ming Dynasty Art, Chinese Fashion
Chinese Ming Dynasty Empress Xiaoduan by the imperial painter.
Ren Bonian(任伯年) , 任颐 五伦图 Fine Art, Traditional Art
Ren Bonian(任伯年) , 任颐 五伦图
唐寅 - 觀梅圖 Tang Yin (1470 -1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher. Ming Dynasty Chinese Traditional Art, Ancient China
唐寅 - 觀梅圖 Tang Yin (1470 -1524), courtesy name Tang Bohu (唐伯虎), was a Chinese scholar, painter, calligrapher. Ming Dynasty
Goddess Bodhiruma ca. 1740. Chinese, Qing dynasty, Qianlong period 1736-1795 [VMFA] Goddesses, Vietnam, Chinese Mythology
Goddess Bodhiruma ca. 1740. Chinese, Qing dynasty, Qianlong period 1736-1795 [VMFA]
清代 - 金農 - 絲綸圖 Painted by the Qing Dynasty artist Jin Nong 金農. View paintings, artworks and galleries at Chinese Art Museum. Tattoo, Korean Painting
清-金农-丝纶图
清代 - 金農 - 絲綸圖 Painted by the Qing Dynasty artist Jin Nong 金農. View paintings, artworks and galleries at Chinese Art Museum.
Gao Qipei (Chinese, 1660–1734) Title: 清涧舟影 Wang, Mountains
清涧舟影 by Gao Qipei
Gao Qipei (Chinese, 1660–1734) Title: 清涧舟影
Gao Qipei (Chinese, 1660 - 1734) Qing Dynasty Painting
Gao Qipei (Chinese, 1660 - 1734)
Poem in Running Script Hsu Wei (1521-1592). Hsu's talent is fully demonstrated in this work, with his serene brush work overflowing with vigor and naturalness. His open-hearted and candid calligraphy style is peerless. (Collection of the Shanghai Museum) Letters, Calligraphy Art, Japanese Calligraphy Words
Poem in Running Script Hsu Wei (1521-1592). Hsu's talent is fully demonstrated in this work, with his serene brush work overflowing with vigor and naturalness. His open-hearted and candid calligraphy style is peerless. (Collection of the Shanghai Museum)