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達瑪溝托普魯克墩 2號佛寺遺址出土菩薩像壁畫殘塊

達瑪溝托普魯克墩 2號佛寺遺址出土菩薩像壁畫殘塊

克茲爾千佛洞珍貴的壁畫菩薩

克茲爾千佛洞珍貴的壁畫菩薩

克孜爾千佛洞17窟 釋迦佛本生壁畫騎象菩薩

克孜爾千佛洞17窟 釋迦佛本生壁畫騎象菩薩

克孜爾8窟佛本生戎裝菩薩

克孜爾8窟佛本生戎裝菩薩

克孜爾千佛洞17窟佛本生中的菩薩

克孜爾千佛洞17窟佛本生中的菩薩

絲路梵相——新疆和田達瑪溝佛教遺址出土壁畫藝術

絲路梵相——新疆和田達瑪溝佛教遺址出土壁畫藝術

Stele with Eight Great Events from the Life of the Buddha, 10th century. India, Bihar, possibly from Nalanda. The Metropolitan Museum of Art, New York. (2009.541) | Relief sculptures showing the great pilgrim sites take on increasing importance across north India. The most significant scene is the central Buddha touching the earth at the moment of his enlightenment under the Bodhi tree at Bodhgaya. Surrounding him are seven other scenes of his life. #Buddhism

Stele with Eight Great Events from the Life of the Buddha, 10th century. India, Bihar, possibly from Nalanda. The Metropolitan Museum of Art, New York. (2009.541) | Relief sculptures showing the great pilgrim sites take on increasing importance across north India. The most significant scene is the central Buddha touching the earth at the moment of his enlightenment under the Bodhi tree at Bodhgaya. Surrounding him are seven other scenes of his life. #Buddhism

Dvarapalas, 6th century. Central Myanmar. Lent by National Museum of Myanmar, Yangon (1622 [left], 1623 [right]) | These miniature representations depicting dvarapalas, guardians of sacred spaces, have small holes around the border, suggesting that they were fixed to a surface, probably the pedestal of a Buddha image. #LostKingdoms

Dvarapalas, 6th century. Central Myanmar. Lent by National Museum of Myanmar, Yangon (1622 [left], 1623 [right]) | These miniature representations depicting dvarapalas, guardians of sacred spaces, have small holes around the border, suggesting that they were fixed to a surface, probably the pedestal of a Buddha image. #LostKingdoms

Vishnu Mounted on Garuda, early 9th century. Central Vietnam. Lent by Musée National des Arts Asiatiques–Guimet, Paris (MA3572) | The theme of Vishnu riding his celestial vehicle, the mythical eagle Garuda, was rarely represented in mainland Southeast Asia before the tenth century, when it became popular in Angkorian-period temple art. #LostKingdoms

Vishnu Mounted on Garuda, early 9th century. Central Vietnam. Lent by Musée National des Arts Asiatiques–Guimet, Paris (MA3572) | The theme of Vishnu riding his celestial vehicle, the mythical eagle Garuda, was rarely represented in mainland Southeast Asia before the tenth century, when it became popular in Angkorian-period temple art. #LostKingdoms

Working on the sand mandala in Karsha monestary, near Padum, Ladakh.

Working on the sand mandala in Karsha monestary, near Padum, Ladakh.

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