Pinterest • 世界中のおしゃれアイデアまとめ

Pinterest でおしゃれアイデアをまとめましょう!

dubstepcholla — the-night-picture-collector:   Robert Doisneau, At...

dubstepcholla — the-night-picture-collector: Robert Doisneau, At...

水の中にもぐると全く別の世界がそこには広がります。音が遮断され、重力が変化し、地上で見えていた姿が別の形に変わります。今回は、幻想的な世界をつくりあげ水中写真を撮る独創的なアーティストをご紹介したいと思います。忙しい日常の合間に、ほんの少し時を止めてアートに浸ってみませんか?

Kyoto, Japan, 1960 • National Geographic

Kyoto, Japan, 1960 • National Geographic

Paris 1965 Photo Robert Doisneau

Paris 1965 Photo Robert Doisneau

Robert Doisneau // Le livreur de journaux Paris 1947. Photo from the book "Pour que Paris soit"

Robert Doisneau // Le livreur de journaux Paris 1947. Photo from the book "Pour que Paris soit"

La Sainte-Catherine chez Christian Dior. Robert Doisneau, 1950

La Sainte-Catherine chez Christian Dior. Robert Doisneau, 1950

Punks, posers, a smoke and a pint: Life on London Underground beautifully caught on camera in the 1970s and 80s

London Underground life is caught on camera in the 1970s and 80s

Punks, posers, a smoke and a pint: Life on London Underground beautifully caught on camera in the 1970s and 80s

あいでぃあ

あいでぃあ

Archie Parkhouse having a cup of tea after coming in from the snow by James Ravilious © Beaford Arts, 1978

Archie Parkhouse having a cup of tea after coming in from the snow by James Ravilious © Beaford Arts, 1978

martin parr - Google 搜索

martin parr - Google 搜索

Street Photography | NICK TURPIN

Street Photography | NICK TURPIN

Kite Festival Ahmadabad, India, 1966. Photo: Henri Cartier-Bresson

Kite Festival Ahmadabad, India, 1966. Photo: Henri Cartier-Bresson

Google Image Result for http://lilwizz.files.wordpress.com/2009/11/old-photos1.jpg

Google Image Result for http://lilwizz.files.wordpress.com/2009/11/old-photos1.jpg

~child laborer in a mill~By Lewis Hine  ~undereducated, uneducated, poorly paid, overworked, no safety regulations, diseases & injuries~

~child laborer in a mill~By Lewis Hine ~undereducated, uneducated, poorly paid, overworked, no safety regulations, diseases & injuries~

Capturing the essence of a single entire day in just one hour, Ruttmann’s film composition, set to a musical score, is “at once an invaluable photographic record of life in Weimar Berlin and a timeless demonstration of the cinema's ability to enthrall on a purely visceral level.” According to filmmaker and film critic John Grierson, “No film has been more influential, more imitated.”

Capturing the essence of a single entire day in just one hour, Ruttmann’s film composition, set to a musical score, is “at once an invaluable photographic record of life in Weimar Berlin and a timeless demonstration of the cinema's ability to enthrall on a purely visceral level.” According to filmmaker and film critic John Grierson, “No film has been more influential, more imitated.”

рjʍ

рjʍ