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Admiral Croft from " Persuasion"   (George Keith Elphinstone, later Viscount Keith (1746-1823) Hoppner

Admiral Croft from " Persuasion" (George Keith Elphinstone, later Viscount Keith (1746-1823) Hoppner

Henry Raeburn, Lady Abercromby, 1816 Follow the biggest painting board on Pinterest: www.pinterest.com/atelierbeauvoir

Henry Raeburn, Lady Abercromby, 1816 Follow the biggest painting board on Pinterest: www.pinterest.com/atelierbeauvoir

A Seated Woman, 1716 Antoine Watteau

A Seated Woman, 1716 Antoine Watteau

Liutenant Colonel A. Hope Pattison (1785 - 1824) by Thomas Duncan

Liutenant Colonel A. Hope Pattison (1785 - 1824) by Thomas Duncan

Portrait d'un homme âgé de 33 ans, 1659 Jan Albertsz Rotius

Portrait d'un homme âgé de 33 ans, 1659 Jan Albertsz Rotius

1778 'A Knight in Rome: Charles Cecil Roberts'  POMPEO GIROLAMO BATONI (Lucca, 25 gennaio 1708 – Roma, 4 febbraio 1787)  #TuscanyAgriturismoGiratola

1778 'A Knight in Rome: Charles Cecil Roberts' POMPEO GIROLAMO BATONI (Lucca, 25 gennaio 1708 – Roma, 4 febbraio 1787) #TuscanyAgriturismoGiratola

Lieutenant-General The Hon. Sir Charles Stewart, later 3rd Marquess of Londonderry, by Sir Thomas Lawrence, 1813. Private collection.

Lieutenant-General The Hon. Sir Charles Stewart, later 3rd Marquess of Londonderry, by Sir Thomas Lawrence, 1813. Private collection.

Portrait of Lieutenant Colonel S. Coote Martin (1793-1815) ca.1815 - John James Masquerier - The size & manner of its execution might indicate that it was a gift to his wife, whom Masquerier also painted in 1811. The downward gaze would be extremely unusual in a more formal portrait, & it seems improbable that this sketch was executed as a preliminary to a further work. The buff collar is in fact the priming visible before the application of the dark blue of the Grenadier Guards facings.

Portrait of Lieutenant Colonel S. Coote Martin (1793-1815) ca.1815 - John James Masquerier - The size & manner of its execution might indicate that it was a gift to his wife, whom Masquerier also painted in 1811. The downward gaze would be extremely unusual in a more formal portrait, & it seems improbable that this sketch was executed as a preliminary to a further work. The buff collar is in fact the priming visible before the application of the dark blue of the Grenadier Guards facings.

Richard Wellesley.jpeg

Richard Wellesley.jpeg

john francis rigaud artist - Google Search

john francis rigaud artist - Google Search

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