六種不可不懂的人像佈光 | 攝影札記 Photoblog - 新奇好玩的攝影資訊、攝影技巧教學

六種不可不懂的人像佈光 | 攝影札記 Photoblog - 新奇好玩的攝影資訊、攝影技巧教學

Rembrandt as Shepherd with Staff and Flute c. 1636 by Govert Teunisz. Flinck

Rembrandt as Shepherd with Staff and Flute c. 1636 by Govert Teunisz. Flinck

Christy Turlington For Vogue Italia Photographer Steven Meisel

Steven Meisel, Photographer

Christy Turlington For Vogue Italia Photographer Steven Meisel

88. De apostel Bartholomeüs - 1657, Rembrandt Harmensz. van Rijn

88. De apostel Bartholomeüs - 1657, Rembrandt Harmensz. van Rijn

BP Portrait Competition: Opens Nov.  Portrait of Sam Goldofsky, Survivor of Auschwitz by David Jon Kassan, 2015

BP Portrait Competition: Opens Nov. Portrait of Sam Goldofsky, Survivor of Auschwitz by David Jon Kassan, 2015

Portrait of Nicolaes Ruts by Rembrandt, Oil on mahogany

Portrait of Nicolaes Ruts by Rembrandt, Oil on mahogany

Early 1900s Portrait 5 x 6 Photograph | eBay

Early 1900s Portrait 5 x 6 Photograph | eBay

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England.    “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England. “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

Rembrandt, 1660. The dozen or more self-portraits that date from each decade of Rembrandt's career vary considerably in composition, expression and technique. In the late examples, the broad applications of paint convey a candid record of the artist's aging features

Rembrandt, 1660. The dozen or more self-portraits that date from each decade of Rembrandt's career vary considerably in composition, expression and technique. In the late examples, the broad applications of paint convey a candid record of the artist's aging features

van Rijn Rembrandt - tête d'étude d'une personne âgée

van Rijn Rembrandt - tête d'étude d'une personne âgée

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