A painted porcelain, diamond and silver-topped gold pendant, early 19th century featuring an oval painted porcelain depicting a couple in a pastoral setting, framed by old mine-cut diamonds; estimated total diamond weight: 4.00 carats.
Queen Victoria Gold, diamond, ruby, and emerald miniature bracelet, the flexible band with the queen's portrait. The back is inscribed (in German) "My Dear Niece Stephanie from Victoria R. (9 May1858)"
A LATE 19TH CENTURY GOLD, ENAMEL AND PEARL PENDANT, BY CARLO GIULIANO The black, blue and white piqué enamel openwork floral wreath design oval border enclosing portraits of a lady and a gentleman, to a white and black enamel piqué enamel pendant loop, circa 1880 The pendant loop with with maker's mark CG
Napoleon I cameo pendant. Double-sided pendant, the front set with an onyx cameo portrait of Napoleon I facing in profile towards the right, crowned with diamond laurel leaves tied with ribbons, the drapery at the neck similarly set with diamonds, fastened with a brooch bearing the cipher N and pinned with golden bees. The lapis lazuli plaque at the back bears a chased golden eagle gripping a thunderbolt in its claws. Mounted in a plain gold frame with suspension loop. Signed MORELLI.
Lucien Falize neo-Renaissance pendant. "in the neo-Renaissance taste, the central stone a pink tourmaline, set within an enamelled red, white and black surround on a green enamelled frame, set with five diamonds and suspending a pearl. Lucien Falize, Paris, circa 1880
Gold pendant, the oval frame bordered with strapwork, flowers, fruit and leaves, enamelled green, blue and white with traces of red, surrounding a sardonyx cameo portrait of a woman, probably a Ptolemaic princess as Demeter/Ceres, veiled and wreathed with poppies, facing in profile towards the right. Suspension loop, and drop shaped sapphire hanging below. Cameo: 2nd/1st century B.C., Sapphire: 11th century, Mount:16th century.