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Heaveninawildflower

Heaveninawildflower

清乾隆 刺繡白鷴補 Rank Badge with Silver Pheasant Period: Qing dynasty (1644–1911), Qianlong period (1736–95) Culture: China Medium: Silk, pearls, and metallic thread embroidery on silk satin Dimensions: 10 1/4 x 10 1/2 in. (26 x 26.7 cm) Classification: Textiles-Embroidered Credit Line: Bequest of William Christian Paul, 1929

清乾隆 刺繡白鷴補 Rank Badge with Silver Pheasant Period: Qing dynasty (1644–1911), Qianlong period (1736–95) Culture: China Medium: Silk, pearls, and metallic thread embroidery on silk satin Dimensions: 10 1/4 x 10 1/2 in. (26 x 26.7 cm) Classification: Textiles-Embroidered Credit Line: Bequest of William Christian Paul, 1929

“I have drawn things since I was 6. All that I made before the age of 70 is not worth counting. At 75 I began to understand the true construction of nature. At 90 I will enter into the secret of things. At 110, everything--every dot, every dash--will live” - KATSUSHIKA Hokusai (1760-1849), Japan

“I have drawn things since I was 6. All that I made before the age of 70 is not worth counting. At 75 I began to understand the true construction of nature. At 90 I will enter into the secret of things. At 110, everything--every dot, every dash--will live” - KATSUSHIKA Hokusai (1760-1849), Japan

Konen Uehara 上原 古年 (1877-1940).

Konen Uehara 上原 古年 (1877-1940).

KAWASE Hasui (1883~1919), Japan/ woodblock print

KAWASE Hasui (1883~1919), Japan/ woodblock print

Panel with a Phoenix and Birds in a Rock Garden, Ming Dynasty (1368-1644), Late 16th-early 17th Century. China The Metropolitan Museum of Art, New York. Seymour Fund, 1960 (60.1) | This work is featured in the “Chinese Textiles: Ten Centuries of Masterpieces from the Met Collection” exhibition, on view through June 19, 2016. #ChineseTextiles #AsianArt100

Panel with a Phoenix and Birds in a Rock Garden, Ming Dynasty (1368-1644), Late 16th-early 17th Century. China The Metropolitan Museum of Art, New York. Seymour Fund, 1960 (60.1) | This work is featured in the “Chinese Textiles: Ten Centuries of Masterpieces from the Met Collection” exhibition, on view through June 19, 2016. #ChineseTextiles #AsianArt100

TAKAHASHI Shotei (1871-1945), Japan 高橋松亭

TAKAHASHI Shotei (1871-1945), Japan 高橋松亭

川瀬巴水「芝大門」/

川瀬巴水「芝大門」

川瀬巴水「芝大門」/

Asian art Japanese SOGA Shohaku (1730~1781), Japan 曾我蕭白 http://www.artexperiencenyc.com/social_login

Asian art Japanese SOGA Shohaku (1730~1781), Japan 曾我蕭白 http://www.artexperiencenyc.com/social_login

蓮井、川瀬による「富士山、Tagonouraビーチの降雪後のクリア」

蓮井、川瀬による「富士山、Tagonouraビーチの降雪後のクリア」

Tsuchiya Kōitsu, Evening at Atami, c. 1940

Tsuchiya Kōitsu, Evening at Atami, c. 1940

Dragon volant au-dessus du mont Fuji Fujigoshi Ryū Zu | Les œuvres d'Hokusai sont également empreintes de mythologie. Le maître japonais la mélangeait parfois avec des paysages plus communs comme ce dragon qui survole le Mont Fuji, l'un des paysages les plus présents dans l'art japonais.

Hokusai, maître de la nature

Dragon volant au-dessus du mont Fuji Fujigoshi Ryū Zu | Les œuvres d'Hokusai sont également empreintes de mythologie. Le maître japonais la mélangeait parfois avec des paysages plus communs comme ce dragon qui survole le Mont Fuji, l'un des paysages les plus présents dans l'art japonais.

ITO Jakuchu (1716-1800), Japan 伊藤若冲 Oh for a bathroom wall big enough

ITO Jakuchu (1716-1800), Japan 伊藤若冲 Oh for a bathroom wall big enough

Hasui Kawase  川瀬巴水

Hasui Kawase 川瀬巴水

UTAGAWA Kuniyoshi (1797-1861), Japan 歌川 国芳

UTAGAWA Kuniyoshi (1797-1861), Japan 歌川 国芳

Koitsu, Tsuchiya (1870-1949) - Ueno Shinobazu Pond - 上野不忍の池

Koitsu, Tsuchiya (1870-1949) - Ueno Shinobazu Pond - 上野不忍の池