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Izumi Akiyama | still life pencil drawing

Izumi Akiyama | still life pencil drawing

Jean-Antoine Watteau (1684-1721, French)

Jean-Antoine Watteau (1684-1721, French)

デッサン「コンクリート立方体と想定の布」/B3サイズ

デッサン「コンクリート立方体と想定の布」/B3サイズ

Jean-Antoine Watteau ~   Seated Woman ~  As well as his painting skills, Watteau was perhaps one of the most brilliant and innovative draftsmen of the eighteenth century, displaying a fascinating talent with the "trois-crayons" or "three-chalk" technique. His drawings have the rich coloristic effects of painting and his work Seated Woman is a prime example of his mastery of the technique.

Jean-Antoine Watteau ~ Seated Woman ~ As well as his painting skills, Watteau was perhaps one of the most brilliant and innovative draftsmen of the eighteenth century, displaying a fascinating talent with the "trois-crayons" or "three-chalk" technique. His drawings have the rich coloristic effects of painting and his work Seated Woman is a prime example of his mastery of the technique.

BRUNO WALPOTH: Ohne Titel (via Galerie Frank Schlag  Cie.)

BRUNO WALPOTH: Ohne Titel (via Galerie Frank Schlag Cie.)

Benjamin Björklund

Benjamin Björklund

th_IMG_0838.jpg

th_IMG_0838.jpg

"Portrait of an Ecclesiastic",  Jean Fouquet

"Portrait of an Ecclesiastic", Jean Fouquet

Pierre-Paul Prud’hon (French, 1758-1823) Head of the Virgin. (charcoal and white chalk on paper) Musée des Beaux-Arts, Dijon, France.

Pierre-Paul Prud’hon (French, 1758-1823) Head of the Virgin. (charcoal and white chalk on paper) Musée des Beaux-Arts, Dijon, France.

Jean Auguste Dominique Ingres (1780–1867), Study for the Drapery of Molière in the "Apotheosis of Homer", Black chalk with stumping | Metropolitan Museum of Art

Jean Auguste Dominique Ingres (1780–1867), Study for the Drapery of Molière in the "Apotheosis of Homer", Black chalk with stumping | Metropolitan Museum of Art

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