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胎蔵界曼荼羅

Zaō Gongen, 11th century. Japan. The Metropolitan Museum of Art, New York. The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 (1975.268.155) #OneMetManyWorlds

Fudō Myōō (Achala-vidyārāja), 12th century. Japan. The Metropolitan Museum of Art, New York. The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 (1975.268.163) | Fudō Myōō uses his sword to cut through ignorance and his lasso to reign in those who would block the path to enlightenment. #sword

68. Mandala del Diamante (Kongokai Mandala), seconda metà del IX secolo. Colore su seta, cm. 187,1 x 164,3. Kyoto, Kyoogokokuji.

Kiyomizu Komachi Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: 1790s Culture: Japan Medium: Polychrome woodblock print; ink and color on paper