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Utagawa Yoshikazu | A Foreigner's Wine Party (Gaikokujin shuen no zu), from an untitled series of foreigners at home | Japan | Edo period (1615–1868) | The Met

Kuniyoshi Utagawa (1797-1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. Reflecting his love for felines, Kuniyoshi also began to use cats in the place of humans in kabuki and satirical prints. He was a member of the Utagawa school.

Katsushika Hokusai (Japanese, 1760–1849). Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), ca. 1830–32. The Metropolitan Museum of Art, New York. Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939 (JP2998) | As the distant snow-capped Fuji turns red at dawn, three riders on horseback gallop at full speed along the bank of the Sumida River. #horses

Kubo Shunman (Japanese, 1757–1820). Seaweed Food and Kitchen Utensils, 19th century. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2289)

kamicokrolock: strawberrykimono: bangasakimono: Merchant’s Daughter 1900 by Blue Ruin1 on Flickr. You posted it specifically for me :D

Seal-Stone and Seal-Ink Totoya Hokkei (Japanese, 1780–1850) Period: Edo period (1615–1868) Date: probably 1817 Culture: Japan Medium: Polychrome woodblock print (surimono); ink and color on paper

Utagawa Yoshitora (Japanese, active ca. 1850–80). An American on Horseback, ca. 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3183) #horses