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A four-case gold lacquer inro By Shiomi Masanari, Edo period (19th century). Rendered in silver, gold, black and red togidashi maki-e against a kinji ground with two rats, the case interiors black lacquer with fundame edges; signed Shiomi Masanari; fitted with a hardstone bead ojime and a wood netsuke of a rat on a mokugyo (drum), signed Kazunobu

A four-case gold lacquer inro By Shiomi Masanari, Edo period (19th century). Rendered in silver, gold, black and red togidashi maki-e against a kinji ground with two rats, the case interiors black lacquer with fundame edges; signed Shiomi Masanari; fitted with a hardstone bead ojime and a wood netsuke of a rat on a mokugyo (drum), signed Kazunobu

Hara Yoyusai (Japan, 1772 - 1845)   Inro, Ojime, Netsuke, 18th-early 19th century  Costume/clothing accessory/waistwear, Inro: lacquer on substrate, sprinkled gold flecks, metal inlays; Ojime: coral; Netsuke: wood with horn and ivory inlays,

Hara Yoyusai (Japan, 1772 - 1845) Inro, Ojime, Netsuke, 18th-early 19th century Costume/clothing accessory/waistwear, Inro: lacquer on substrate, sprinkled gold flecks, metal inlays; Ojime: coral; Netsuke: wood with horn and ivory inlays,

wooden whisk for tea ceremony by kozan-japan

wooden whisk for tea ceremony by kozan-japan

Inrō, Ojime, Netsuke | LACMA Collections

Inrō, Ojime, Netsuke | LACMA Collections

Be still my beating heart.   Ootani, Momoko

Be still my beating heart. Ootani, Momoko

Inrō Ensemble with Dragonfly Design Yoyusai (Japan, 1772-1845) Tōyōsai (Japan, active Edo, second half 18th century) Japan, (Inrō) second half of 18th century; (Netsuke) first half of 19th century; (Ojime) no date (Inrō) Togidashi maki-e lacquer; (Netsuke) wood, gold maki-e lacquer, abalone shell; (Ojime) tri-lobed metal a) Inrō: 1 3/8 x 1 1/4 x 3/8 in. (3.49 x 3.18 x 0.95 cm); b) Ojime height: 5/8 in. (1.59 cm); b) Ojime diameter: 1/2 in. (1.27 cm); c) Netsuke: 3 1/4

Inrō Ensemble with Dragonfly Design Yoyusai (Japan, 1772-1845) Tōyōsai (Japan, active Edo, second half 18th century) Japan, (Inrō) second half of 18th century; (Netsuke) first half of 19th century; (Ojime) no date (Inrō) Togidashi maki-e lacquer; (Netsuke) wood, gold maki-e lacquer, abalone shell; (Ojime) tri-lobed metal a) Inrō: 1 3/8 x 1 1/4 x 3/8 in. (3.49 x 3.18 x 0.95 cm); b) Ojime height: 5/8 in. (1.59 cm); b) Ojime diameter: 1/2 in. (1.27 cm); c) Netsuke: 3 1/4

Metal incense burner with roosters by SHOAMI Katsuyoshi (1832-1908), Japan 正阿弥勝義

Metal incense burner with roosters by SHOAMI Katsuyoshi (1832-1908), Japan 正阿弥勝義

A black lacquer four-case inro  By Koma Ryusei, 19th century

A black lacquer four-case inro By Koma Ryusei, 19th century

The last shogun, Tokugawa Yoshinobu (1837-1913) shogun from 1866 to 1867, the 15th and last shogun of the Tokugawa shogunate of Japan. He was part of a movement which aimed to reform the aging shogunate, but was ultimately unsuccessful. After resigning in late 1867, he went into retirement, and largely avoided the public eye for the rest of his life.

The last shogun, Tokugawa Yoshinobu (1837-1913) shogun from 1866 to 1867, the 15th and last shogun of the Tokugawa shogunate of Japan. He was part of a movement which aimed to reform the aging shogunate, but was ultimately unsuccessful. After resigning in late 1867, he went into retirement, and largely avoided the public eye for the rest of his life.

A black lacquer Rimpa style three-case inro 17th century Bearing a roiro ground, lacquered and inlaid with a flowering plum tree, in gold takamakie and inlaid pewter with drops of rain inlaid in silver, the interior of matt gold lacquer, signed inside the cover Hokyo Korin; with ivory ojime, carved with reishi fungus, signed Masayasu

A black lacquer Rimpa style three-case inro 17th century Bearing a roiro ground, lacquered and inlaid with a flowering plum tree, in gold takamakie and inlaid pewter with drops of rain inlaid in silver, the interior of matt gold lacquer, signed inside the cover Hokyo Korin; with ivory ojime, carved with reishi fungus, signed Masayasu

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