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淳化阁帖最善本王羲之法书选。 《淳化阁帖》全名《淳化秘阁法帖》,是中国法书丛帖之祖。所谓法帖,即古代名书家的墨迹经双钩描摹后,刻在石版或木版上,再拓印装订成帖。淳化三年(992年),宋太宗拿出秘阁所藏历代名家法书,令翰林院侍书王著编成。最初《淳化阁帖》刻于枣木版上,宋太宗拓成阁帖赏赐近臣。后木版毁于战火,故传世拓本极少。后世重刻的《淳化阁帖》版本甚多,这次抢救回来的是《淳化阁帖》中的祖刻本,也即最早的版本,因此极为珍贵。courtesy of 北京娱乐信报, 记者王健.

淳化阁帖最善本王羲之法书选。 《淳化阁帖》全名《淳化秘阁法帖》,是中国法书丛帖之祖。所谓法帖,即古代名书家的墨迹经双钩描摹后,刻在石版或木版上,再拓印装订成帖。淳化三年(992年),宋太宗拿出秘阁所藏历代名家法书,令翰林院侍书王著编成。最初《淳化阁帖》刻于枣木版上,宋太宗拓成阁帖赏赐近臣。后木版毁于战火,故传世拓本极少。后世重刻的《淳化阁帖》版本甚多,这次抢救回来的是《淳化阁帖》中的祖刻本,也即最早的版本,因此极为珍贵。courtesy of 北京娱乐信报, 记者王健.

Fragment of a hand scroll from an original set of sixty scrolls donated to the Todaiji temple in Nara in 744. It is one of the earliest surviving examples of the practice of transcribing Buddhist texts using precious materials. The copying of religious writings was thought to confer spiritual merit on all involved. This fragment is a section of the Avatamsaka Sutra (Japanese: Kegongyo). Silver ink on indigo paper, Nara period, 710–794

Fragment of a hand scroll from an original set of sixty scrolls donated to the Todaiji temple in Nara in 744. It is one of the earliest surviving examples of the practice of transcribing Buddhist texts using precious materials. The copying of religious writings was thought to confer spiritual merit on all involved. This fragment is a section of the Avatamsaka Sutra (Japanese: Kegongyo). Silver ink on indigo paper, Nara period, 710–794

The Man'yōshū 万葉集 literally means "Collection of Ten Thousand Leaves", is the oldest existing collection of Japanese poetry, compiled sometime after 759 AD during the Nara period.

The Man'yōshū 万葉集 literally means "Collection of Ten Thousand Leaves", is the oldest existing collection of Japanese poetry, compiled sometime after 759 AD during the Nara period.

Zhi Yong(智永)    ,  <宋拓智永千字文 > ,  智永对乃祖王羲之、王献之的书法极为钦佩,决心使乃祖 的书法万古流芳。智永练习书法极为刻苦。他在永欣寺时,就曾盖一座小楼专供练字,发誓“书不成,不下此楼”。就在这座冷冷清清的小楼里,他如痴如醉地练字,毛笔用了一支又一支,他常把用坏了的毛笔扔进大瓮,天长日久,就积了好几瓮。智永后来把这些毛笔集中埋在一个地方,自撰铭词以葬之,时称“退笔冢”。

Zhi Yong(智永) , <宋拓智永千字文 > , 智永对乃祖王羲之、王献之的书法极为钦佩,决心使乃祖 的书法万古流芳。智永练习书法极为刻苦。他在永欣寺时,就曾盖一座小楼专供练字,发誓“书不成,不下此楼”。就在这座冷冷清清的小楼里,他如痴如醉地练字,毛笔用了一支又一支,他常把用坏了的毛笔扔进大瓮,天长日久,就积了好几瓮。智永后来把这些毛笔集中埋在一个地方,自撰铭词以葬之,时称“退笔冢”。

林和靖梅花詩

林和靖梅花詩

Chinese Calligraphy - Zen

Chinese Calligraphy - Zen

集王羲之・空海 写経用紙セット

集王羲之・空海 写経用紙セット

晋-王献之-送梨帖 by China Online Museum - Chinese Art Galleries, via Flickr

晋-王献之-送梨帖 by China Online Museum - Chinese Art Galleries, via Flickr

毛筆書道作品「琴酒相寿」

毛筆書道作品「琴酒相寿」

晋-王羲之-旃罽胡桃帖-大英图书馆 by China Online Museum - Chinese Art Galleries, via Flickr

晋-王羲之-旃罽胡桃帖-大英图书馆 by China Online Museum - Chinese Art Galleries, via Flickr

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