Rembrandt- A Scholar Near a Window. Professional Artist is the foremost business magazine for visual artists. Visit ProfessionalArtistMag.com.- www.professionalartistmag.com

Rembrandt- A Scholar Near a Window. Professional Artist is the foremost business magazine for visual artists. Visit ProfessionalArtistMag.com.- www.professionalartistmag.com

Rembrandt Lighting Study of an Old Man in Profile, Rembrandt Harmenszoon van Rijn (1661). Agnes Etherington Art Centre, Kingston.

Rembrandt Lighting Study of an Old Man in Profile, Rembrandt Harmenszoon van Rijn (1661). Agnes Etherington Art Centre, Kingston.

東京幻想 OFFICIAL BLOG !!

東京幻想 OFFICIAL BLOG !!

Ancient Greece. The Winged Victory of Samothrace, also called the Nike of Samothrace,[1] is a 2nd century BC marble sculpture of the Greek goddess Nike (Victory). Since 1884, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world. Invisible Ink | The Salt Girl Speaks

Invisible Ink

Ancient Greece. The Winged Victory of Samothrace, also called the Nike of Samothrace,[1] is a 2nd century BC marble sculpture of the Greek goddess Nike (Victory). Since 1884, it has been prominently displayed at the Louvre and is one of the most celebrated sculptures in the world. Invisible Ink | The Salt Girl Speaks

Winter Lanscape, Rembrandt Harmenszoon van Rijn (1646) Staatliche Museen, Schloss Wilhelmshohe, Kassel.

Winter Lanscape, Rembrandt Harmenszoon van Rijn (1646) Staatliche Museen, Schloss Wilhelmshohe, Kassel.

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England.    “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England. “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

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The Resurrection, Harmenszoon van Rijn (1639). Part of the Passion series for Frederik Hendrik. Alte Pinakothek, Munich.

The Resurrection, Harmenszoon van Rijn (1639). Part of the Passion series for Frederik Hendrik. Alte Pinakothek, Munich.

The Raising of the Cross, Harmenszoon van Rijn (1633). Part of the Passion series for Frederik Hendrik. Alte Pinakothek, Munich.

The Raising of the Cross, Harmenszoon van Rijn (1633). Part of the Passion series for Frederik Hendrik. Alte Pinakothek, Munich.

Rembrandt, Judas Returning the Thirty Silver Pieces

Rembrandt, Judas Returning the Thirty Silver Pieces

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