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HANDSPUN, HANDWOVEN COTTON,  RICE PASTE STENCIL-RESISTED,  HAND-APPLIED BOTANICAL AND MINERAL PIGMENTS  OKINAWA, MID/LATE 19C

HANDSPUN, HANDWOVEN COTTON, RICE PASTE STENCIL-RESISTED, HAND-APPLIED BOTANICAL AND MINERAL PIGMENTS OKINAWA, MID/LATE 19C

COTTON BINGATA ・ 木綿紅型

COTTON BINGATA ・ 木綿紅型

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Island Batiks KK01 Purple Cotton Batik Fabric

Island Batiks KK01 Purple Cotton Batik Fabric

SHIRAKAGE SHIBORI ・ 白影絞り

SHIRAKAGE SHIBORI ・ 白影絞り

Shou-Chiku-Bai On Fan Pattern Bride's Furisode

Shou-Chiku-Bai On Fan Pattern Bride's Furisode

marimekko

marimekko

Katazome-Shi Paper- Blue, Green, & Brown Fans and Leaves

Katazome-Shi Paper- Blue, Green, & Brown Fans and Leaves

Kiitsu Suzuki, Japan - Wisteria

三渓園: Hearts and Numbers

Kiitsu Suzuki, Japan - Wisteria

design-is-fine:  Ellsworth Kelly, Study for “Cité”: Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951. Via Art Institute Chicago. © Ellsworth Kelly. Also part of Cahier D’Art Revue No 1, 2012.

design-is-fine: Ellsworth Kelly, Study for “Cité”: Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951. Via Art Institute Chicago. © Ellsworth Kelly. Also part of Cahier D’Art Revue No 1, 2012.

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