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Джованни Беллини. Barbarigo Алтарь. 1488 San Pietro Martire, Murano. Мадонна с младенцем, святой Марк, Санкт-Августин и коленях Агостино Барбариго, и музыканты ангелы - называется Барбариго Алтарь. http://www.wga.hu/support/viewer/z.html

Джованни Беллини. Barbarigo Алтарь. 1488 San Pietro Martire, Murano. Мадонна с младенцем, святой Марк, Санкт-Августин и коленях Агостино Барбариго, и музыканты ангелы - называется Барбариго Алтарь. http://www.wga.hu/support/viewer/z.html

Джованни Беллини. Frari Триптих. 1488 Санта-Мария Глориоза деи Фрари, Венеция. Триптих с Девой и Младенцем на троне с двумя Музыкантами Ангелами и святыми Николаем, Петром, Марком и Бенедиктом находится в Пезаро часовне Санта Мария Глориоза деи Фрари.

Джованни Беллини. Frari Триптих. 1488 Санта-Мария Глориоза деи Фрари, Венеция. Триптих с Девой и Младенцем на троне с двумя Музыкантами Ангелами и святыми Николаем, Петром, Марком и Бенедиктом находится в Пезаро часовне Санта Мария Глориоза деи Фрари.

洋服の歴史 - Wikipedia

洋服の歴史 - Wikipedia

Jan van Eyck, c.1432. Ghent Altarpiece. Opened view of the polyptych. Commissioned by the wealthy merchant and financier Joost Vijdt for his and his wife's private chapel, it was begun by Hubert van Eyck, who died in 1426, and completed by his younger brother Jan van Eyck. The altarpiece shows a transition in art from the Classical tradition to an exacting observation of nature.    The altarpiece consists of a total of 24 compartmented scenes, which make up two views, open and closed,

Jan van Eyck, c.1432. Ghent Altarpiece. Opened view of the polyptych. Commissioned by the wealthy merchant and financier Joost Vijdt for his and his wife's private chapel, it was begun by Hubert van Eyck, who died in 1426, and completed by his younger brother Jan van Eyck. The altarpiece shows a transition in art from the Classical tradition to an exacting observation of nature. The altarpiece consists of a total of 24 compartmented scenes, which make up two views, open and closed,

16世紀ルネッサンスヴェネツィア元首アンドレア・グリッティ。  『アンドレア・グリッティの肖像』(1540年)、ティツィアーノナショナル・ギャラリー(ワシントン)

16世紀ルネッサンスヴェネツィア元首アンドレア・グリッティ。 『アンドレア・グリッティの肖像』(1540年)、ティツィアーノナショナル・ギャラリー(ワシントン)

Dirk Bouts (follower of) [Haarlem, c. 1415 - Leuven, 1475]

Dirk Bouts (follower of) [Haarlem, c. 1415 - Leuven, 1475]

Center panel. Annunciation Triptych (Merode Altarpiece), ca. 1427–1432. Workshop of Robert Campin, South Netherlandish (modern Belgium), circa 1375-1444. Oil paint on oak.

Center panel. Annunciation Triptych (Merode Altarpiece), ca. 1427–1432. Workshop of Robert Campin, South Netherlandish (modern Belgium), circa 1375-1444. Oil paint on oak.

16世紀ルネッサンス貴族女性。Elizabethan。 With collar(付け襟)=ラフ(付け襟)が流行しだしたのは16世紀後半からだが男性だけでなく貴族女性も多く身につけていた。ただ、若い女性は胸を大きく開けたドレスを来たがるので、首回りのラフではなく、胸元が開いた服に付け襟をつけて着ていた。それでも年配の女性は肌を見せることなく首まできちんと隠すラフを使っていた。Elizabethan dress and ruff detail

16世紀ルネッサンス貴族女性。Elizabethan。 With collar(付け襟)=ラフ(付け襟)が流行しだしたのは16世紀後半からだが男性だけでなく貴族女性も多く身につけていた。ただ、若い女性は胸を大きく開けたドレスを来たがるので、首回りのラフではなく、胸元が開いた服に付け襟をつけて着ていた。それでも年配の女性は肌を見せることなく首まできちんと隠すラフを使っていた。Elizabethan dress and ruff detail

Giovanni Bellini - Angel of the annunciation and virgin annunciate

Giovanni Bellini - Angel of the annunciation and virgin annunciate

Giovanni Bellini's magnificent Madonna and Child with Saints Nicholas, Peter, Mark and Benedict (1488). It is in the sacristy of the Frari church in Venice, in the precise place and frame it was intended to be. I can look at this painting for hours (and have done so many times); it is simply sublime. And I'm an atheist by the way...

Giovanni Bellini's magnificent Madonna and Child with Saints Nicholas, Peter, Mark and Benedict (1488). It is in the sacristy of the Frari church in Venice, in the precise place and frame it was intended to be. I can look at this painting for hours (and have done so many times); it is simply sublime. And I'm an atheist by the way...

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