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Inro | | Japan (made), Date: ca. 1750-1850 (made), Materials and Techniques: Polychrome carved lacquer

Inro | | Japan (made), Date: ca. 1750-1850 (made), Materials and Techniques: Polychrome carved lacquer

Inro | Shibata Zeshin | Japan (made), Date: 1865 (made),  Artist/Maker: Shibata Zeshin, born 1807 - died 1891 (maker), Materials and Techniques: Gold, silver and black hiramakie and black seigahanuri lacquer on a gold lacquer ground

Inro | Shibata Zeshin | Japan (made), Date: 1865 (made), Artist/Maker: Shibata Zeshin, born 1807 - died 1891 (maker), Materials and Techniques: Gold, silver and black hiramakie and black seigahanuri lacquer on a gold lacquer ground

aleyma:    Horaku, Owl and Bat netsuke, early to mid 19th century (source).

aleyma: Horaku, Owl and Bat netsuke, early to mid 19th century (source).

Jitokusai (active 19th century) and Yutokusai (active mid to late 19th century) Inro: lacquer with mixed metal flecks. Ojime: glass. Netsuke: lacquer on wood with inlaid gold. LACMA

Jitokusai (active 19th century) and Yutokusai (active mid to late 19th century) Inro: lacquer with mixed metal flecks. Ojime: glass. Netsuke: lacquer on wood with inlaid gold. LACMA

Shiomi Masanari | Case (Inrō) with Design of Bean Vine and Moon | Japan | Edo period (1615–1868) | The Met

Shiomi Masanari | Case (Inrō) with Design of Bean Vine and Moon | Japan | Edo period (1615–1868) | The Met

Inro | 18th century (made)

Inro | 18th century (made)

Artist/Maker: Shibayama (maker), Materials and Techniques: Carved ivory, encrusted with horn, pearl-shell and gold

Inro

Artist/Maker: Shibayama (maker), Materials and Techniques: Carved ivory, encrusted with horn, pearl-shell and gold

Inro | Shibata Zeshin | Japan (made), Date: 1865 (made), Artist/Maker: Shibata Zeshin, born 1807 - died 1891 (maker), Materials and Techniques: Red, black, gold and silver togidashie and hiramakie lacquer

Inro

Inro | Shibata Zeshin | Japan (made), Date: 1865 (made), Artist/Maker: Shibata Zeshin, born 1807 - died 1891 (maker), Materials and Techniques: Red, black, gold and silver togidashie and hiramakie lacquer

A five case inrô with a Niô in red lacquer on each side with mesh work in green lacquer on a brown lacquer ground. Signed in chinkin-bori Sandaime Yôsei kore kenzô Yôsei kyokusha ya (Third generation Yôsei made this, Yôsei is the person who verifies this). 19th century. Kagamibuta with a sentoku disc with a Niô in relief and an ivory bowl.

A five case inrô with a Niô in red lacquer on each side with mesh work in green lacquer on a brown lacquer ground. Signed in chinkin-bori Sandaime Yôsei kore kenzô Yôsei kyokusha ya (Third generation Yôsei made this, Yôsei is the person who verifies this). 19th century. Kagamibuta with a sentoku disc with a Niô in relief and an ivory bowl.

Inro | Japan (made), Date: 18th century (made),  Artist/Maker: unknown (production), Materials and Techniques: Black and gold lacquer, with mother-of-pearl

Inro

Inro | Japan (made), Date: 18th century (made), Artist/Maker: unknown (production), Materials and Techniques: Black and gold lacquer, with mother-of-pearl

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