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Maxfield Parrish, 'Daybreak', 1922 (67,3 × 114 cm)

Rawhide by Maxfield Parrish, 1904, for McClure’s Magazine, January 1905 issue. Oil on paper, 16 x 20" | Christies, NY

Gustav Klimt - Love (1895) - Kunsthistorisches museum (Vienna). This painting doesn't look anything yet like Klimt's later works that made him famous, however the real colours of the sidebars are closer to his much-used yellow. But this picture was the largest I could find, and I actually like it much better this way. The passionateness might border on cheesy, but I'm okay with it since this cheap kind of short novels the covers of which it seems to resemble didn't exist yet in 1895.

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The Accolade (detail)

A Florentine Fete (detail) by Maxfield Parrish, 1910–1916. A Florentine Fete is Parrish's magnum opus, consisting of 18 murals, each 10’ 8” tall

Geometric Death Frequency by Federico Diaz

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げみ*画集発売中 on

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Maxfield Parrish - Sunrise 1931

Christmas Morning - by Maxfield Parrish. Look at the use of color and how amazingly real and gorgeous the light shines through.