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Mushanokoji Saneatsu 武者小路実篤 (1885-1976), Persimmons with Poem.

Ceramic Tiles with Poems by the Thirty-six Immortal Poets Ogata Kenzan (Japanese, 1663–1743)

Japanese poem by Fujiwara no Michinobu from Ogura 100 poems (early 13th century) 明けぬれば 暮るるものとは 知りながら なをうらめしき あさぼらけかな "Though I know indeed / That the night will come again / After day has dawned, / Still, in truth, I hate the sight / Of the morning's coming light." (calligraphy by yopiko)

Tawaraya Sotatsu and Hon'ami Koetsu: Poem page mounted as a hanging scroll (1975.268.59) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Japanese poem by Lady Murasaki Shikibu from Ogura 100 poems (early 13th century) めぐりあひて 見しやそれとも わかぬ間に 雲がくれにし 夜半の月かげ "Meeting on the path: / But I cannot clearly know If it was he, / Because the midnight moon / In a cloud had disappeared." (calligraphy by yopiko)

Honami Kōetsu Tawaraya Sōtatsu 本阿見光悦書・俵屋宗達下絵 桜下絵和歌色紙 鴨長明 Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms

Japanese poem by Abbot Gyoson from Ogura 100 poems (early 13th century) "On a mountain slope, / Solitary, uncompanioned, / Stands a cherry tree. / Except for you, lonely friend, / To others I am unknown" もろともに 哀れと思へ 山桜 花より外に 知る人もなし (calligraphy by yopiko)

Grasshopper and Cicada (Kirigirisu and Semi), from Picture Book of Selected Insects with Crazy Poems (Ehon Mushi Erabi) Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: 1788 Culture: Japan Medium: Polychrome woodblock print (book page); ink and color on paper

Japanese poem by Lady Kii from Ogura 100 poems (early 13th century) "Famous are the waves / That break on Takashi beach / In noisy arrogance. / If I should go near that shore / I would only wet my sleeves" 音に聞く 高師の濱の あだ波は かけじや袖の ぬれもこそすれ (calligraphy by yopiko)

Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms. dated 1606. Artist: Calligraphy by Hon'ami Kōetsu (Japanese, 1558–1637) Underpainting attributed to Tawaraya Sōtatsu (Japanese, died ca. 1640)