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Kondo Koichiro 近藤浩一路 (1884-1962), Cormorant Fishing, detail.

Kondo Koichiro 近藤浩一路 (1884-1962), Cormorant Fishing, detail.

Calligraphy of "Maple Bridge Night Mooring" by Zhang Zhi, Edo period (1615–1868), ca. 1770 by Ike Taiga (Japanese, 1723–1776) Two-panel folding screen: ink on paper-Translation of Zhang Zhi's poem -"The moon sets, crows sing, and frost fills the sky. Maple trees along the river and fires in fishing boats face me, sleepless with lament. The bell of Cold Mountain Temple (Hanshan-si), outside Suzhou, tolls; At midnight, the sound reaches this boat."

Calligraphy of "Maple Bridge Night Mooring" by Zhang Zhi, Edo period (1615–1868), ca. 1770 by Ike Taiga (Japanese, 1723–1776) Two-panel folding screen: ink on paper-Translation of Zhang Zhi's poem -"The moon sets, crows sing, and frost fills the sky. Maple trees along the river and fires in fishing boats face me, sleepless with lament. The bell of Cold Mountain Temple (Hanshan-si), outside Suzhou, tolls; At midnight, the sound reaches this boat."

ITO Jakuchu (1716-1800), Japan 伊藤若冲

ITO Jakuchu (1716-1800), Japan 伊藤若冲

Wu Gaozhong(吴高钟 Chinese, b.1962)悬河Q-18 2012 work on paper via

Wu Gaozhong(吴高钟 Chinese, b.1962)悬河Q-18 2012 work on paper via

Calligraphy 風 "wind" by KAKINUMA Koji, Japan 柿沼康二

Calligraphy 風 "wind" by KAKINUMA Koji, Japan 柿沼康二

Fong, Wen (1975). "Summer Mountains: The Timeless Landscape" | Landscape has been the dominant subject in Chinese painting ever since it emerged as the pre-eminent art form of the Northern Sung period (960–1127). Read online or download a PDF of out this out of print Met publication.

Fong, Wen (1975). "Summer Mountains: The Timeless Landscape" | Landscape has been the dominant subject in Chinese painting ever since it emerged as the pre-eminent art form of the Northern Sung period (960–1127). Read online or download a PDF of out this out of print Met publication.

Untitled from Taki (waterfall) series by TAWARA Yusaku (1932-2004), Japan: ink on paper

Untitled from Taki (waterfall) series by TAWARA Yusaku (1932-2004), Japan: ink on paper

Calligraphy 夢 "dream" by SUZUKI Mouri, Japan 鈴木猛利

Calligraphy 夢 "dream" by SUZUKI Mouri, Japan 鈴木猛利

作品 > 月 | 書家 中嶋宏行

作品 > 月 | 書家 中嶋宏行

Shitao (Zhu Ruoji) (Chinese, 1642–1707). Shuhua, Returning Home, ca. 1695. The Metropolitan Museum of Art, New York. From the P. Y. and Kinmay W. Tang Family, Gift of Wen and Constance Fong, in honor of Mr. and Mrs. Douglas Dillon, 1976 (1976.280a–n) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015. #AsianArt100

Shitao (Zhu Ruoji) (Chinese, 1642–1707). Shuhua, Returning Home, ca. 1695. The Metropolitan Museum of Art, New York. From the P. Y. and Kinmay W. Tang Family, Gift of Wen and Constance Fong, in honor of Mr. and Mrs. Douglas Dillon, 1976 (1976.280a–n) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015. #AsianArt100

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