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Martin Creed

skeleton of building - Google Search

Hans Op de Beeck,Pennants, 2012 synthetic gypsum , wood, MDF, yarn, Nylon, plaster, concrete paste 125 x 85 x 33 cm

Robert Rauschenberg, The Tower, 1958. He called what he did working in "the gap between art & life." In practice that meant radical inclusion -- intake -- the continuous, open-ended transformation of "the mess of life" into art. In his "Combines", Rauschenberg uses discarded trash & daily objects made from every kind of material: signs, clothing, pillows, sticks, cardboard boxes, dirt, furniture, bricks, printed fabric, rusted shapes of iron. Blogspot, Tim Collins

Super super super cool

マーティン・クリード - Martin Creed @ Tate |fogless: London art diary

Martin Creed

Sean Cordeiro & Claire Healy, Deceased Estate, 2004, found discarded material from artists' warehouse.

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