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John Everett Millais (British 1829–1896) [Pre-Raphaelite] The Matyr of the Solway, 1871. Walker Art Gallery, Liverpool, UK. – The Athenaeum

John Everett Millais (British 1829–1896) [Pre-Raphaelite] The Matyr of the Solway, 1871. Walker Art Gallery, Liverpool, UK. – The Athenaeum

Dante Gabriel Rossetti, 1863, Helen of Troy. Sitter: Annie Millar

Dante Gabriel Rossetti, 1863, Helen of Troy. Sitter: Annie Millar

ジョン・エヴァレット・ミレイ 「赤ずきんちゃん」

John Everett Millais, Bright Eyes, 1877.

John Everett Millais, Bright Eyes, 1877.

william hughes - ophelia アーサーヒューズ オフィーリア

william hughes - ophelia アーサーヒューズ オフィーリア

"Moonrise" (2008), By Tsuyoshi Nagano, Oil on Canvas; Tokyo, Japan. Member of the Society of Illustrators and the Japan Publication Artist League #angels Artist Website: http://artas1.com/tsuyoshi_nagano/ Artist Gallery: http://en.tis-home.com/tsuyoshi-nagano/works/9

"Moonrise" (2008), By Tsuyoshi Nagano, Oil on Canvas; Tokyo, Japan. Member of the Society of Illustrators and the Japan Publication Artist League #angels Artist Website: http://artas1.com/tsuyoshi_nagano/ Artist Gallery: http://en.tis-home.com/tsuyoshi-nagano/works/9

Sir John Everett Millais, P.R.A. (1829-1896) Portrait of Lady Campbell.

Sir John Everett Millais, P.R.A. (1829-1896) Portrait of Lady Campbell.

Pre Raphaelite Art: Edward Burne-Jones - Study ‘St Mary Magdalen’. c. 1886

Pre Raphaelite Art: Edward Burne-Jones - Study ‘St Mary Magdalen’. c. 1886

Yuko Nagayama, flowers

Yuko Nagayama, flowers

La Ghirlandata 1873 by Dante Gabriel Rossetti  "The Pre-Raphaelite Brotherhood: The group's intention was to reform art by rejecting what they considered to be the mechanistic approach adopted by the Mannerist artists who followed Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on academic teaching of art. Hence the name "Pre-Raphaelite".

La Ghirlandata 1873 by Dante Gabriel Rossetti "The Pre-Raphaelite Brotherhood: The group's intention was to reform art by rejecting what they considered to be the mechanistic approach adopted by the Mannerist artists who followed Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on academic teaching of art. Hence the name "Pre-Raphaelite".

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