Pinterest でおしゃれアイデアをまとめましょう!

関連トピックを見てみる

WV 2012-171 Ludwig van Beethoven/ Sonate Nr. 32 (Opus 111) 1.Satz (159 Takte insgesamt): Maestoso 4/4 – 16 Takte Allergro con brio ed appassionato 4/4 – 143 Takte 2. Satz (177 Takte insgesamt): Arietta (Adagio molto semplice) 9/16 – 32 Takte L’istesso tempo 6/16 – 16 Takte L’istesso tempo 12/32 – 129 Takte Himmelsrichtung N-S; Rotationsrichtung/ Rotationsgeschwindigkeit; 2 Interne Zentren; 4 Externe Zentren; Extract Intonation + Dynamic; Beat; Loop Jorinde Voigt Toronto 2012 86,5 x 140 cm…

WV 2012-171 Ludwig van Beethoven/ Sonate Nr. 32 (Opus 111) 1.Satz (159 Takte insgesamt): Maestoso 4/4 – 16 Takte Allergro con brio ed appassionato 4/4 – 143 Takte 2. Satz (177 Takte insgesamt): Arietta (Adagio molto semplice) 9/16 – 32 Takte L’istesso tempo 6/16 – 16 Takte L’istesso tempo 12/32 – 129 Takte Himmelsrichtung N-S; Rotationsrichtung/ Rotationsgeschwindigkeit; 2 Interne Zentren; 4 Externe Zentren; Extract Intonation + Dynamic; Beat; Loop Jorinde Voigt Toronto 2012 86,5 x 140 cm…

Sotirios Kotoulas from his book, Space Out

SOTIRIOS KOTOULAS: seeing space

Sotirios Kotoulas from his book, Space Out

Glenn R. Sogge "Music For (1827) g 7 (a symphony)" (1971/8/13)

Glenn R. Sogge "Music For (1827) g 7 (a symphony)" (1971/8/13)

Experimental music notation resources - Review - lines

Experimental music notation resources - Review - lines

Glossolalie 61 | Dieter Schnebel, the composer, theologian, teacher and musicologist

Glossolalie 61 | Dieter Schnebel, the composer, theologian, teacher and musicologist

workman:  banupluie: Ludwig van Beethoven/ Sonate Nr. 6 (Opus 10 Nr. 2 ). Jorinde Voigt, 2012, Berlin

workman: banupluie: Ludwig van Beethoven/ Sonate Nr. 6 (Opus 10 Nr. 2 ). Jorinde Voigt, 2012, Berlin

Makrokosmos, by George Crumb

Makrokosmos, by George Crumb

Stockhausen. Sacred Geometry <3

Stockhausen. Sacred Geometry <3

Toru Takemitsu, Study for Vibration from "Corona for Pianist(s)", 1962, The performance may start at any point of the perimeter no matter clockwise or counterclockwise

Toru Takemitsu, Study for Vibration from "Corona for Pianist(s)", 1962, The performance may start at any point of the perimeter no matter clockwise or counterclockwise

bussotti (上図中央の拡大図)

bussotti (上図中央の拡大図)

Pinterest
検索