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yama-bato: Li Xiongcai(1910-2001)via

黎雄才-岭南画派的绘画艺术,Li XiongCai - The Art of Lingnan School

Ruddiness Vying with Peach Blossoms Red Yang Shanshen (1913-2004) Hanging scroll, ink and colors on paper, 136.7x33.7cm Collection of the National Palace Museum 楊善深 人面桃花相映紅 國立故宮博物院藏 紙本 設色畫 軸 136.7x33.7公分 Origins Developments of Lingnan School of Painting 2013/06/01~2013/08/25 National Palace Museum, Taipei

Ruddiness Vying with Peach Blossoms Red Yang Shanshen (1913-2004) Hanging scroll, ink and colors on paper, 136.7x33.7cm Collection of the National Palace Museum 楊善深 人面桃花相映紅 國立故宮博物院藏 紙本 設色畫 軸 136.7x33.7公分 Origins Developments of Lingnan School of Painting 2013/06/01~2013/08/25 National Palace Museum, Taipei

Cherry Blossom painting chinese watercolour painting original chinese art-cherry blossom tree No.36

China

Fukada Chokushiro

Baoshi Fu. Via yama-bato.tumblr.com.

Raining Day by THE CHINESE CANADIAN ARTIST JAMES TAN -Lingnan School of Painting / 嶺南派畫家-陳蘊化

D-24.July.2001 状なき状 painting on paper 林孝彦 HAYASHI Takahiko

《仿大痴山水图》 明 沈周 纸本设色 纵115.5厘米 横48.5厘米 上海博物馆藏 大痴,即元代画家黄公望,他是“元四家”中的第一位。他的山水画多用披麻皴法描绘,山水意境多平淡温和,有超然野逸之趣,对后世文人山水画的发展有很大影响。沈周的山水画上追黄公望,这件作品即其仿黄公望山水而作。“仿”,是模仿的意思,因此这并不是对黄公望山水的对临或复制,而是模仿黄公望的笔法、布局和意趣特征而进行的创作。

"Autumn and Winter Landscapes" (2 hanging scrolls) by Sesshu Touyou, Muromachi period (15th century), National Treasure of Japan 秋冬山水図 雪舟等楊筆(国宝)