Pinterest でおしゃれアイデアをまとめましょう!

関連トピックを見てみる

"i.m." Woodblock printing, oil based ink printed on Rives BFK paper, 2013, 20x16.5cm, by Yasuyoshi Tokida, 常田泰由

"i.m." Woodblock printing, oil based ink printed on Rives BFK paper, 2013, 20x16.5cm, by Yasuyoshi Tokida, 常田泰由

Ben Shahn. "Nude On Partridge"

Ben Shahn. "Nude On Partridge"

Yusuke  Yonezu illustration...

Yusuke Yonezu illustration...

John Bellany - Joe Sparks 2009 Oil on canvas 102x76cm

John Bellany - Joe Sparks 2009 Oil on canvas 102x76cm

John Craxton (English, 1922-2009), Black Greek Landscape with Figures, 1949-50. Oil on canvas, 119.5 x 154 cm.

John Craxton (English, 1922-2009), Black Greek Landscape with Figures, 1949-50. Oil on canvas, 119.5 x 154 cm.

春 雪 笠松紫浪 1955

春 雪 笠松紫浪 1955

http://assets6.pinimg.com/previews/CxQWSnZ8.jpeg  hiromi sumida

http://assets6.pinimg.com/previews/CxQWSnZ8.jpeg hiromi sumida

The Southern Open -- "The content of [David] Sullivan’s pieces revolves around the BP oil spill of 2010. In such works as 'Well Connected,' 'Cloud Cuckoo Land,' and 'Pump Me Up,' Sullivan explores the sinister labyrinth that connects the Gulf South to oil and gas production. The pieces are the fine-art equivalent of BP’s new commercial advising tourists to return to the Gulf Coast: cheerfully ominous."

The Southern Open -- "The content of [David] Sullivan’s pieces revolves around the BP oil spill of 2010. In such works as 'Well Connected,' 'Cloud Cuckoo Land,' and 'Pump Me Up,' Sullivan explores the sinister labyrinth that connects the Gulf South to oil and gas production. The pieces are the fine-art equivalent of BP’s new commercial advising tourists to return to the Gulf Coast: cheerfully ominous."

Akihiro Nikaido.

Akihiro Nikaido.

Buffaloes Etching, Aquatint by Julian Trevelyan 1968. I am so impressed by how people outside UCF use etching and aquatint.

Buffaloes Etching, Aquatint by Julian Trevelyan 1968. I am so impressed by how people outside UCF use etching and aquatint.

Pinterest
検索