Pinterest でおしゃれアイデアをまとめましょう!

関連トピックを見てみる

Weird. Food and its effect is similar to nine human body

Weird. Food and its effect is similar to nine human body

Paul Gauguin.

Paul Gauguin.

Pierre-Auguste Renoir

Pierre-Auguste Renoir

art nouveau Cover for Cocorico, by Mucha. 1899.

art nouveau Cover for Cocorico, by Mucha. 1899.

Eugène Delacroix (French,1798–1863). Basket of Flowers, 1848-1849. The Metropolitan Museum of Art, New York.  Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967 (67.187.60)

Eugène Delacroix (French,1798–1863). Basket of Flowers, 1848-1849. The Metropolitan Museum of Art, New York. Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967 (67.187.60)

Paul Signac (French, 1863–1935). Le Pouliguen: Fishing Boats, 1928. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.718)

Paul Signac (French, 1863–1935). Le Pouliguen: Fishing Boats, 1928. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.718)

FRANCE | Auguste Renoir (French, 1841–1919). By the Seashore, 1883. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.125) #WorldCup

FRANCE | Auguste Renoir (French, 1841–1919). By the Seashore, 1883. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.125) #WorldCup

The Dance Class (1874) by Edgar Degas

The Dance Class (1874) by Edgar Degas

Madonna and Child with Four Angels Gerard David ca. 1510-15

Madonna and Child with Four Angels Gerard David ca. 1510-15

Grisaille Panel, 1260–70. Made in Rouen, Normandy, France. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1969 (69.236.8) | These grisaille panels represent a mid-century transitional stage in royal French ateliers—the conventionalized acanthus buds are a continuation of earlier tastes, while the ivy leaves, delineated with hair-thin veins, reflect the newer, naturalizing tendencies. #Cloisters

Grisaille Panel, 1260–70. Made in Rouen, Normandy, France. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1969 (69.236.8) | These grisaille panels represent a mid-century transitional stage in royal French ateliers—the conventionalized acanthus buds are a continuation of earlier tastes, while the ivy leaves, delineated with hair-thin veins, reflect the newer, naturalizing tendencies. #Cloisters

Pinterest • 世界中のおしゃれアイデアまとめ
Search