Emerald Art Deco Tiara featuring a large central cabochon emerald and diamonds set in platinum, made by Chaumet in 1926. A few old pieces of jewelry, such as a necklace, some earrings, a brooch and other pieces including a large egg shaped emerald and large diamond were sent from Luxembourg to the Paris headquarters of the jeweler to make the tiara. http://lux-arazzi.blogspot.de/2013/08/luxarazzi-101-emerald-art-deco-tiara.html

Emerald Art Deco Tiara featuring a large central cabochon emerald and diamonds set in platinum, made by Chaumet in 1926. A few old pieces of jewelry, such as a necklace, some earrings, a brooch and other pieces including a large egg shaped emerald and large diamond were sent from Luxembourg to the Paris headquarters of the jeweler to make the tiara. http://lux-arazzi.blogspot.de/2013/08/luxarazzi-101-emerald-art-deco-tiara.html

Antique crown #crowns #antiquecrowns

Antique crown #crowns #antiquecrowns

Emerald and Diamond tiara by Marzo. The central square-cut emerald set amidst a tapering openwork panel of scrolling foliate motifs, mounted atop a band set with six graduated cut-cornered step-cut emeralds interspersed with openwork panels with knife-edge set diamond collets. The entire piece is set throughout with old and rose-cut diamonds. Circa 1915. It is owned privately by a Spanish aristocratic family.

Emerald and Diamond tiara by Marzo. The central square-cut emerald set amidst a tapering openwork panel of scrolling foliate motifs, mounted atop a band set with six graduated cut-cornered step-cut emeralds interspersed with openwork panels with knife-edge set diamond collets. The entire piece is set throughout with old and rose-cut diamonds. Circa 1915. It is owned privately by a Spanish aristocratic family.

This wedding present from Emperor Napoleon I to Empress Marie Louise his second wife Originally, was fitted with 79 emeralds and the current 1000 diamonds that total 700 carats Altered in 1952 by Van Cleef and Arpels who replaced the emeralds with Persia

This wedding present from Emperor Napoleon I to Empress Marie Louise his second wife Originally, was fitted with 79 emeralds and the current 1000 diamonds that total 700 carats Altered in 1952 by Van Cleef and Arpels who replaced the emeralds with Persia

Tiara of Queen Margarita of Italy  By Mellerio dits Meller, 1870  Private Collection, courtesy of Albion Art Institute, Japan

Tiara of Queen Margarita of Italy By Mellerio dits Meller, 1870 Private Collection, courtesy of Albion Art Institute, Japan

Antique Tiara of the Fouche D'Otrante family (amethysts, diamonds). #AmethystTiara

Antique Tiara of the Fouche D'Otrante family (amethysts, diamonds). #AmethystTiara

Art Deco Chinoiserie Sapphire, Emerald, Ruby and Diamond Bracelet. #chinoiserie

Art Deco Chinoiserie Sapphire, Emerald, Ruby and Diamond Bracelet. #chinoiserie

Art Deco Tiara in platinum, diamonds, set with a twenty-one carat cabochon-cut white opal, and a three carat Burmese pigeon’s blood ruby. Pendants in platinum, diamonds, cultured pearls, and rubies. Chaumet, Paris.

Art Deco Tiara in platinum, diamonds, set with a twenty-one carat cabochon-cut white opal, and a three carat Burmese pigeon’s blood ruby. Pendants in platinum, diamonds, cultured pearls, and rubies. Chaumet, Paris.

Princess Marie Bonaparte, now Princess George of Greece. Cartier c1907. Fresh fruit on a branch of olive with a large diamond drop in the center symbolizing bountiful blessings. This tiara can be work with or without the center diamond. Pin without the center drop in Tiaras I. (Albion Art Collection)

Princess Marie Bonaparte, now Princess George of Greece. Cartier c1907. Fresh fruit on a branch of olive with a large diamond drop in the center symbolizing bountiful blessings. This tiara can be work with or without the center diamond. Pin without the center drop in Tiaras I. (Albion Art Collection)

This gold and turquoise tiara and necklace, c.1825, illustrates the stylistic transition of the 1820s, incorporating the palmettes and meanders that had remained in vogue after the French Empire, enmeshed with vine branches that announced the naturalism of the Romantic style.  http://www.adorn-london.com/jewelry-inspiration/a-walk-through-chaumets-historical-jewels/ http://preziosamagazine.com/chaumet-un-ponte-tra-passato-presente-e-futuro/

This gold and turquoise tiara and necklace, c.1825, illustrates the stylistic transition of the 1820s, incorporating the palmettes and meanders that had remained in vogue after the French Empire, enmeshed with vine branches that announced the naturalism of the Romantic style. http://www.adorn-london.com/jewelry-inspiration/a-walk-through-chaumets-historical-jewels/ http://preziosamagazine.com/chaumet-un-ponte-tra-passato-presente-e-futuro/

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