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scenicdesign:  Théâtre de VidyKlaus Grünberg

scenicdesign: Théâtre de VidyKlaus Grünberg

Théâtre Vidy, Lausanne Max Black 1998 avec André Wilms Scénographie: Klaus Grünberg

Théâtre Vidy, Lausanne Max Black 1998 avec André Wilms Scénographie: Klaus Grünberg

i think that this type of lighting would be really cool to put on the fire escape. it gives the scene an erie feel and helps show toms feeling of ultimate doom. he also feels trapped in the house and this lighting reminds me of light coming through a prison window. -mariah

i think that this type of lighting would be really cool to put on the fire escape. it gives the scene an erie feel and helps show toms feeling of ultimate doom. he also feels trapped in the house and this lighting reminds me of light coming through a prison window. -mariah

David Korins’s set design for Passing Strange

David Korins’s set design for Passing Strange

Peter Gabriëlse- box sculpture, in "De Wereld in Miniatuur" exhibition - Slot Zeist.

Peter Gabriëlse- box sculpture, in "De Wereld in Miniatuur" exhibition - Slot Zeist.

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this would be a cool set design...

this would be a cool set design...

Klaus Grünberg, set design and lighting for "Die Götterdämmerung" directed by Barrie Kosky, 2010

Klaus Grünberg, set design and lighting for "Die Götterdämmerung" directed by Barrie Kosky, 2010

The set of Dogville by Lars von Trier. Yes. Those are words scrawled on the ground. This is not your average movie. Make sure your head is ready to fully engage before viewing.

The set of Dogville by Lars von Trier. Yes. Those are words scrawled on the ground. This is not your average movie. Make sure your head is ready to fully engage before viewing.

Photographer Guillaume Amat Places Mirrors Into Industrial and Natural Landscapes to Look Both Beyond and Behind

Photographer Guillaume Amat Places Mirrors Into Industrial and Natural Landscapes to Look Both Beyond and Behind

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