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あそびごころ

あそびごころ

Fragments of architecture

Fragments of architecture

百兎:MOMOUSA                                                                       #architecture

百兎:MOMOUSA #architecture

Carlo Nason for Mazzega de Murano, 1969

Carlo Nason for Mazzega de Murano, 1969

Irgendwo Anders photographed by Radek Brunecky. Obsessed by shape and form, it’s amazing when you see manmade spaces that give you a similar feeling to looking at a mountain 建築なのに地面をえぐられたような、自然にあるようなスケール感

Irgendwo Anders photographed by Radek Brunecky. Obsessed by shape and form, it’s amazing when you see manmade spaces that give you a similar feeling to looking at a mountain 建築なのに地面をえぐられたような、自然にあるようなスケール感

Takehiko Higuchi

Takehiko Higuchi

This monumental, massive void that fills the space of the Guangdong Museum in Guangzhou, China feels lightweight and not heavy or solid simply because of the materials utilized. Glass and aluminum combine here to create what feels like the light-filled centerpiece of the museum in which a simple bridge is the only thing to break up that massive void.

This monumental, massive void that fills the space of the Guangdong Museum in Guangzhou, China feels lightweight and not heavy or solid simply because of the materials utilized. Glass and aluminum combine here to create what feels like the light-filled centerpiece of the museum in which a simple bridge is the only thing to break up that massive void.

Poliedro cuja estrutura é dada pelas arestas. As junções precisariam de outro processo que não o recorte para funcionar?   O fechamento poderia se utilizar de outro tipo de material que pudesse ser esculpido ao invés de apenas cortado?

Poliedro cuja estrutura é dada pelas arestas. As junções precisariam de outro processo que não o recorte para funcionar? O fechamento poderia se utilizar de outro tipo de material que pudesse ser esculpido ao invés de apenas cortado?

鋼筋混泥土

鋼筋混泥土

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