Kenzan-style food dish with design of plum, late 18th to early 19th century. Kyoto workshop, Kenzan style. Edo period. Buff clay; white slip, iron pigment, and enamels under transparent glaze. H: 5.2 W: 13.3 cm. Kyoto, Japan.

plato de comida al estilo kenzan con el diseño de la flor gakuso finales de los…

"Tea bowl with inscription and design of narcissus", Ogata Kenzan (1663-1743). - Buff clay with white slip, iron and cobalt pigments under transparent glaze.

Ogata Kenzan (1663-1743) - Pine Trees Tea Bowl. Glazed Pottery Edo Period, Circa Late-17 to Early-18th Centuries.

Ogata Kenzan Edo Period The first half of the 18th century

Ogata Kenzan | Water Pot | Japan | Edo period (1615–1868) | The Metropolitan Museum of Art

Odo ware tea bowl with design of heron and reeds 18th-19th century, Edo period Stoneware with cobalt pigment under clear glaze

Kenzan-style tea bowl with design of plum blossoms | Ogata Kenzan (1643-1743) | Red earthenware with white slip and iron pigment under transparent lead glaze | Meiji era | late 19th century | Gift of Charles Lang Freer | Freer Gallery of Art and Arthur M. Sackler Gallery | F1900.74

Ogata Shinsei Kenzan

Tea bowl with design of mountain retreat, mid 18th century. Ogata Ihachi (Kyoto Kenzan II, act. 1720-1760). Edo period. Buff clay; white slip, iron and cobalt pigments under transparent glaze; gold lacquer repairs. H: 7.3 W: 10.0 cm. Kyoto, Japan. The poem reads: "In tranquility, the universe is great." The conflation of a vast entity with a small bounded space is a common theme in Zen poetry, and ultimately derives from the early and influential Daoist test Zhuangzi (ca. 3d century B.C.E.)

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