Gold, black and white enamel and demantoid garnet necklace, hung with an oriental grey pearl. Anthemion (honeysuckle) motifs clasp the three rows at the front of the necklace and fasten them at the sides to the single row at the back. Throughout, graduated damantoid garnets in beaded gold settings alternate with openwork links enamelled black and white. Signed C & AG, for Carlo and Arthur Giuliano, on the back of the clasp behind. English, c. 1900.
Gold, silver, enamel, rock crystal, diamond, ruby and emerald oval pendant, hanging from rose diamond love trophy of Cupid's wedding torch and quiver of arrows held by a suspension loop. The centre of the rock crystal is encrusted with two rose diamond turtle doves in flight with an emerald and ruby branch of myrtle leaves and berries between them, Paris, c 1860.
This signed C & A Giuliano brooch of 18k yellow gold is clearly Renaissance influenced yet displays the open work attributed to “neo-Renaissance” design. A red guilloché enamel orb is centered within a field of contrasting black and white enamel with the trademark dots. At each of the cardinal points four (4) sapphires en cabochon are set in castellated bezels of yellow gold. The brooch displays a linear symmetry in both horizontal and vertical planes. Date: Circa 1896 - 1912.
Gold, silver, and diamond brooch, set with an octagonal sapphire engraved with the arms of Johann Hugo von Orsbeck (1634-1711), appointed Archbishop Prince Elector of Trier, 13 July, and Bishop of Speyer, 16 July 1676, Abbot of Prum and Provost of Weissenburg. Now framed within a foliate border. German. Sapphire intaglio: 17th century. Setting: 19th century. Click for source and additional commentary by Diana Scarisbrick
Giuliano Solar Disc Tiara. England c1895. A pair of cobras, coils set with diamonds and eyes of cabochon rubies, carry a star ruby flanked by a pair of diamond pavé set wings with translucent green enamel tips. Signed.