“Die Liebe zu den drei Orangen”. Designer: Josef Müller-Brockmann, 1965. My favorite JMB work. More on the side of functionalism and brutalism and less “flashy” than the intersecting forms posters. Seems more “punk rock” to me.

“Die Liebe zu den drei Orangen”. Designer: Josef Müller-Brockmann, 1965. My favorite JMB work. More on the side of functionalism and brutalism and less “flashy” than the intersecting forms posters. Seems more “punk rock” to me.

83: Josef Muller-Brockmann Opernhaus 2 Posters : Lot 83

83: Josef Muller-Brockmann Opernhaus 2 Posters : Lot 83

josef muller-brockmann

josef muller-brockmann

彼らは巨人かもしれない

Punk rock + Swiss modernism combined

彼らは巨人かもしれない

服部一成

服部一成

One of the hallmarks of international typographic style is displaying type asymmetrically on a grid to embody a sense of structure and order.

One of the hallmarks of international typographic style is displaying type asymmetrically on a grid to embody a sense of structure and order.

はじまりの教室からのエスケープ

はじまりの教室からのエスケープ

Muller-Brockmann, Josef poster: Opernhaus Zurich - Furst Igor  http://www.internationalposter.com/style-primer/international-typographic.aspx

Muller-Brockmann, Josef poster: Opernhaus Zurich - Furst Igor http://www.internationalposter.com/style-primer/international-typographic.aspx

Yokoyama Solo

Yokoyama Solo

muller brockmann posters - Google Search

muller brockmann posters - Google Search

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