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設計レイアウト,ポスターデザイン,アートデザイン,デザイン·タイポグラフィ,ブランドアイデンティティ,エディトリアルデザイン,グラフィックアート,ル·コルビュジエ,グラフィックデザイン

the Notwist

the Notwist

Yamagata Biennale

Yamagata Biennale

Transform by Fred Carriedo, via Behance

Transform by Fred Carriedo, via Behance

The Great Escape

The Great Escape

form N° 80. 1977. Cover: Klaus Winterhager. © Verlag form GmbH & Co. KG

form N° 80. 1977. Cover: Klaus Winterhager. © Verlag form GmbH & Co. KG

Novum Gebrauchsgraphik 1983

Novum Gebrauchsgraphik 1983

The poster revolving around musician Love is Cocaine’s debut album “Magnetism” reflects the abstract idea of the album title through type and image. The image of the distorted face conveys the notion of being drawn to something while the type and the arrows form a sense of movement and visual interest. The limited colour palate can be associated with the melancholic mood of the music. Therefore the poster is able to give an insight into the musician’s style demonstrating its effectiveness.

The poster revolving around musician Love is Cocaine’s debut album “Magnetism” reflects the abstract idea of the album title through type and image. The image of the distorted face conveys the notion of being drawn to something while the type and the arrows form a sense of movement and visual interest. The limited colour palate can be associated with the melancholic mood of the music. Therefore the poster is able to give an insight into the musician’s style demonstrating its effectiveness.

Idea, Fletcher Roger Sliker 1962

Idea, Fletcher Roger Sliker 1962

Typographic cover design by Paul Rand

Typographic cover design by Paul Rand

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