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Anne-Laure Djaballah

Anne-Laure Djaballah

anne-laure djaballah.

anne-laure djaballah.

Anne-Laure Djaballah, Adjusting, 48 x 36", oil, acrylic, mixed media on canvas

Anne-Laure Djaballah, Adjusting, 48 x 36", oil, acrylic, mixed media on canvas

anne-laure djaballah

anne-laure djaballah

. Resim, fotoğraf, İllüstrasyon, heykel seçkileri. Painting, photographs, illustrations, sculpture from all the world.

. Resim, fotoğraf, İllüstrasyon, heykel seçkileri. Painting, photographs, illustrations, sculpture from all the world.

'getting aquainted' by  Anne-Laure Djaballah - Mixed media on canvas - 60" x 48"

'getting aquainted' by Anne-Laure Djaballah - Mixed media on canvas - 60" x 48"

wall 02-2 by anne-laure djaballah, via Flickr- another shot of her "work" cleaning her brushes on her studio walls

wall 02-2 by anne-laure djaballah, via Flickr- another shot of her "work" cleaning her brushes on her studio walls

Anne-Laure Djaballah - 24 x 12", oil, acrylic, mixed media on canvas With this one I was seeing how much I could have things all leaning to one side and with one small element try to hold it all back

Anne-Laure Djaballah - 24 x 12", oil, acrylic, mixed media on canvas With this one I was seeing how much I could have things all leaning to one side and with one small element try to hold it all back

Erin Ashley

Erin Ashley

48x48", oil/acrylic on canvas, 2010 showing at Muse Gallery in Toronto until nov. 4 www.musegallery.ca  In this series of paintings I was noticing how influenced I was by my surroundings - my neighborhood, my daily walks to the studio taking narrow back alleys, the view from my window of the Jacques Cartier bridge and la Ronde, and the industrial landscape along the St-Laurence river. I am especially drawn to othe way things change after dark, where a lot gets edited out and only certain…

48x48", oil/acrylic on canvas, 2010 showing at Muse Gallery in Toronto until nov. 4 www.musegallery.ca In this series of paintings I was noticing how influenced I was by my surroundings - my neighborhood, my daily walks to the studio taking narrow back alleys, the view from my window of the Jacques Cartier bridge and la Ronde, and the industrial landscape along the St-Laurence river. I am especially drawn to othe way things change after dark, where a lot gets edited out and only certain…

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