Jan van Eyck, The Madonna in the Church, ca. 1438 | SMB, Gemäledegalerie
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Van eyck
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Artist: Jan van Eyck (Netherlandish, Maaseik ca. 1390–1441 Bruges) and Workshop Assistant. Date: ca. 1440–41. Medium: Oil on canvas, transferred from wo...
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From the museum label: This portrait probably shows Giovanni Arnolfini, a wealthy Italian merchant resident in Bruges, and his wife. The couple is shown in a richly furnished living room; beds were a common feature of such rooms. The mirror on the back wall reflects two figures in a doorway. Arnolfini's hand is raised, perhaps to greet them. The painting is signed on the wall above the mirror, 'Jan van Eyck was here'. Links to high-resolution close-up photos of details from this painting are…
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Jan Van Eyck, The Arnolfini Portrait (detail).
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drapery reference
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Anunciación. De Jan Van Eyck.
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Posts about Agnus Dei (Lamb of God) written by Victoria Emily Jones
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The animal's soul-penetrating gaze was painted over by a second set of artists in 1550 and spent the next five centuries under wraps
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ghostlywatcher: Details from Jan Van Eyck’s “Annuncation” (1434-1436)
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The Extraordinary Form of the Latin Rite does not represent the past for me all; it represents eternity—and the adoration of the Mystic Lamb.
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Jan van Eyck, Rolin-Madonna
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Right panel detail, 1430
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3.127a Jan van Eyck, "The Arnolfini Portrait", 1434. Oil on panel, 32⅜ × 23⅝”. (Dutch)
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