Mies van der rohe details

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a drawing of a structure with lines on it's sides and the top part of its roof

Ludwig Mies van der Rohe. Convention Hall, project, Chicago, Illinois, Final version: vertical section. 1953. Ink and dot pattern on illustration board. 30 x 20" (76.2 x 50.8 cm). Mies van der Rohe Archive, gift of the architect. 1001.1965. © 2025 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Architecture & Design

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an old drawing of a plan with lines and points on it's surface,

Ludwig Mies van der Rohe. Brno Chair (Side elevation, plan, detail section). 1931-1932. Ink and pencil on tracing paper. 41 1/4 x 37 13/16" (104.8 x 96 cm). Mies van der Rohe Archive, gift of the architect. 944.1974. © 2025 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Architecture & Design

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a drawing of a floor plan for a house in the middle of a room with two windows

Ludwig Mies van der Rohe. Exhibition House, German Building Exhibition, Berlin, Germany, Plan.. 1930-31. Ink on illustration board. 30 x 40" (76.2 x 101.6 cm). Mies van der Rohe Archive, gift of the architect. MR25.237. © 2025 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Architecture & Design

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a black and white photo of a street light

Detail of the connection between a column and the rood structure in the Neue Nationalgalerie Mies van der Rohe “God is in the details”.

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an architectural drawing of a tall building

Seagram Building from Park Avenue The Seagram Building located in midtown Manhattan is one of the finest examples of the International Style and corporate modernism. Designed by Mies van der Rohe, at the behest of the Canadian distillers Joseph E. Seagram's & Sons, the Seagram Building soars 516 feet over Park Avenue. Ground floor plan of the Seagram Building Mies intended to create an urban open space in front of the building, and it became a popular gathering area. In the late 1960s when…

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an image of a section of the ground with lines drawn on it and in perspective

Mies van der Rohe is widely credited with coining the classic motto “God is in the details,” a mantra perfectly captured within every slender component of his most iconic residence: Farnsworth House.

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an image of a chair with different colors and shapes on it, including circles in the middle

The Barcelona chair was one of the first chairs that was analyzed for "Geometry of Design." It was selected for its classic beauty and because Mies van der Rohe was a classically trained architect in the Beaux Arts tradition. The hunch was that there was ...

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